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While the new exhibition focuses on Gauguin’s prints, ceramics, and woodcuts, his color paintings should not be overlooked, because Gauguin’s use of color is extraordinary. The fantastic, perfervid Upa Upa (The Fire Dance; 1891), along with Words of the Devil (1892), is reminiscent of Henri Rousseau’s vivid jungle surrealism. To gaze into its lurid, fiery display is to feel as if you were wading into a closed cultic rite. Gauguin could paint a still life like Cézanne and a pointillist gouache like Seurat. He is not often thought of as a great colorist, and while he may not have been Matisse, “Metamorphoses” illustrates that he may have been just as talented. ________________.
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